Parker was born in Kansas City, Kansas, on August 29, 1920. He grew up in Kansas City, Missouri, where he played in jazz clubs as a teenager and young man. The local jazz culture based in the Vine Street nightclub district cultivated his talents as a teenager. Indeed, it was during this period that Kansas City made notable contributions to jazz with hometown artists such as Count Basie, Bennie Moten, and Buster Smith.
On September 23, 1923, the Bennie Moten Orchestra made its first recording consisting of eight songs. By strict musical standards, the songs themselves were unrefined and not much removed from existing blues music. But the Bennie Moten Orchestra would soon build upon its earliest recordings to develop a distinct Kansas City style of jazz that later dominated the jazz scene in the late 1930s and 1940s.
When people think of Kansas City jazz in the 1920s and ‘30s, certain images come to mind: political corruption, gangster activity, and music that catered to and benefited from this type of environment. But vice and corruption were not the only elements that made the city a center of innovative music. The black middle and upper classes also supported the music and the musicians, especially at dance halls such as the Paseo Hall. And there were black organizations such as the NAACP, men’s groups like the Elks Lodge, and ladies’ groups like the 12 Charity Girls, who organized formal dances to raise funds for various institutions in the community.